Oslo | Staging the ‘White Man's Burden’

By Einat Wilf
To mark the Tony Award winning play Oslo opening in London this September, based on the Oslo Peace... Read more > Autumn 2017

The Eloquence of Oriented: An interview with Jake Witzenfeld

By Jake Witzenfeld
  Sitting in the Green Room at JW3, the London Jewish Community’s cultural centre, a jetlagged Jake Witzenfeld,... Read more > Article Summer 2016

What Palestinian terrorists write on Facebook

By Elhanan Miller
As the British government’s recently launched counter-extremism strategy acknowledges the role of social media in spreading hate, Elhanan... Read more > Summer 2015

Israel’s Jane Austen: Irit Linur’s all too normal Israel

By Noga Emanuel
In 2002 the Israeli novelist Irit Linur wrote an open letter to the editor of Haaretz announcing that... Read more > Winter 2015

Film Review: Dancing Arabs

By Gabriel Noah Brahm
A review of Dancing Arabs (Aravim Rokdim) by Eran Riklis (Director) and Sayed Kashua (screenwriter). The critically acclaimed... Read more > Winter 2015

The ideological roots of media bias against Israel

By Matti Friedman
On 26 January 2015 the former AP reporter Matti Friedman delivered the keynote speech at BICOM’s annual dinner... Read more > Winter 2015

Winning the media war

By Einat Wilf
Einat Wilf’s regular column – dispatches from a roving ambassador for Israel – asks how to win the... Read more > Autumn 2014

Sami Michael: The Discreet Ironist of Israeli Literature

By Noga Emanuel
The Israeli novelist Sami Michael evolved from an Iraqi Jewish communist writing in his native Arabic language to... Read more > Autumn 2014

Israel’s Jazz Scene: an interview with Eli Degibri

By Eli Degibri
Eli Degibri is an Israeli Jazz saxophonist, composer and arranger. He is the co-Artistic Director of the Red... Read more > Spring 2013

Films of faith

By Yair Raveh
2012 will be remembered as the year in which Israeli movies finally found God. It's not often a... Read more > Winter 2013